|Title: Coat of Arms, Media: Water Color, Ink, & Acrylic Paint, Size: 16" x 12 1/4", Date: 2015|
At the time I did not know the degree to which the unconscious played a roll in the making of this picture. What began as an image of mountains and towers became a type-rope act. The central tower or totem exhales smoke. The background was a puzzle. I wanted the shield to stand out, but the earthy colors around the edge that offer a contrast also relate to compost and decay (this perhaps a reminder of mortality). There was more anxiety in the picture and in my life than I wanted to admit. While the image is not devoid of charm because of more wide ranging elements, it did not give a clear sense of well being that I was searching for.
1. The absence of an explicitly planned outcome means that an unconscious element is at play. Yet, how deep is this connection to the unknown and what is its relation to a wider collective unconscious?
2. While mysteries are uncovered, are they substantial? Do they extend beyond the small mysteries of how a picture comes together (i.e. in a way that is slightly different than the creator would expect)?
3. While not an empirical study (i.e. it is not objective/scientific study or an attempt to recreate a time and place), I see here a process that is related to romanticism. Focusing instead on issues both formal and political, It seems that art in the vanguard of critical attention has largely moved on from a palpable imaginative place. What role does a personal and emotional place represent? Does a lack of interest in this realm mean that while flavorful it is a limited exercise that gets repeated over and over?
Given my belief that a blog post should be a short read, I will not attempt to answer these questions at once. Like the case of making a second coat of arms, sometimes one has to ask questions and be allowed to come back after time for a more precise solutions. Also, This sets up questions and challenges for 2016 that are invigorating and worthy of time.