Tuesday, January 5, 2016

Coat of Arms, Protection For the New Year

As an exercise, I created a coat of arms that was meant to offer a symbolic protection as well as a reminder of key virtues. What began as primarily a written exercise that listed noble qualities became a visual interpretation in which the written part was minimized.

Title: Coat of Arms, Media: Water Color, Ink, & Acrylic Paint, Size: 16" x 12 1/4", Date: 2015

At the time I did not know the degree to which the unconscious played a roll in the making of this picture. What began as an image of mountains and towers became a type-rope act. The central tower or totem exhales smoke. The background was a puzzle. I wanted the shield to stand out, but the earthy colors around the edge that offer a contrast also relate to compost and decay (this perhaps a reminder of mortality). There was more anxiety in the picture and in my life than I wanted to admit. While the image is not devoid of charm because of more wide ranging elements, it did not give a clear sense of well being that I was searching for.

Title: Coat of Arms #2, Media: Water Color, Ink, & Collage, Size: 16" x 12 1/4", Date: 2016
After realizing an unsettling result, I wanted to try this exercise again. The rounded the edges of the new shield immediately hinted at a warmer result. While an eclectic mixture of subjects were subsequently added, I leaned on brighter colors and made certain the balance was in favor of a more optimistic forward looking protection. Beyond a kind of self therapy this process brought up questions I had:

1. The absence of an explicitly planned outcome means that an unconscious element is at play. Yet, how deep is this connection to the unknown and what is its relation to a wider collective unconscious?

2. While mysteries are uncovered, are they substantial? Do they extend beyond the small mysteries of how a picture comes together (i.e. in a way that is slightly different than the creator would expect)?

3. While not an empirical study (i.e. it is not objective/scientific study or an attempt to recreate a time and place), I see here a process that is related to romanticism. Focusing instead on issues both formal and political, It seems that art in the vanguard of critical attention has largely moved on from a palpable imaginative place. What role does a personal and emotional place represent? Does a lack of interest in this realm mean that while flavorful it is a limited exercise that gets repeated over and over?

Given my belief that a blog post should be a short read, I will not attempt to answer these questions at once. Like the case of making a second coat of arms, sometimes one has to ask questions and be allowed to come back after time for a more precise solutions. Also, This sets up questions and challenges for 2016 that are invigorating and worthy of time.

1 comment:

Holly Sysko said...

Came back to this through the link in your newsletter. I read this blog Moe carefully this time. I appreciate the honesty of your sharing. Thanks