Dawson Weber sent me a thoughtfully and thoroughly packaged "Viewfinder". Actually, it seemed like he sent more than one. He titled the artwork Double Viewfinder and it consists of part I and part II.
|Front of packaging sent by Dawson Weber|
Unpacking Dawson's "Viewfinder" could be considered a metaphor for the way we have to take apart or consider each part of what we see in order to receive a more complete view. Because of Dawson's note about "handling with care", I saved his work for my last "Viewfinder" review. I did not want to risk shifting the delicate pastel drawing.
|Dawson Weber: Part I of Double Viewfinder as found carefully packaged|
|Dawson Weber: Part II of Double Viewfinder as found carefully packaged|
Dawson's projects usually have a rich conceptual origin (for more information visit his website). In this case his style of his drawing reminded me of his background in classical music. I connect the joy of movement, color, and material I see in Dawson's work with the artist Wassily Kandinsky (Kandinsky was interested in abstraction and its connection with music). The packaging and the delicacy of the pastel are parameters that seem to heighten the aura of the work. It is as if you know the experience can not last because of the fragile shifting nature of the pastel. The drawings remind me of the way we want to hold onto a song we love but can't because it keeps moving or the way we know that the color of a flower will not stay the same.
|Dawson Weber, Double Viewfinder Part I, Pastel, 15" x 11", 2006|
|Dawson Weber, Double Viewfinder Part II, Pastel, 6" x 4 1/4", 2006|
|Double Viewfinder Part II placed on top Double Viewfinder Part I |
(set up to give a sense of scale and connection between the two parts)
Finally, what I have learned from observing Dawson Weber's artwork and other work that commands my attention is that investment must be made. When consideration is given then the world can be seen with greater depth. To see life and recognize its complexity is surely an amazing gift.